ABOUT

Amor de mi Alma. "...this is a beautiful transcription for band of an eloquent choral work.  
A performance of this piece can be a profound aesthetic experience for the band and conductor alike...technically, the music is not especially demanding, 
but there are some exposed solos for oboe, English horn, and bassoon that require attention...I highly recommend this grade 4 transcription
for honor bands and strong ensembles whose musicians will grow in sharing its beautiful lessons..."
New Music Reviews
The Instrumentalist

 

EDUCATION:

  • Doctor of Education: Educational Psychology (La Sierra University)
  • Post-Doctoral Studies in Educational Neuroscience (Harvard University)
  • Post-Doctoral Studies in Theory & Composition (Eastman School of Music)
  • Doctor of Education: Curriculum & Instruction, Music (La Sierra University)
  • Master of Arts in Counseling (La Sierra University)
  • Masters of Music Performance, Conducting (Azusa Pacific University)
  • Master of Arts in Curriculum & Instruction, Music (La Sierra University)
  • Bachelor of Arts in Music, Vocal/Instrumental (La Sierra University)

COMPOSITION TEACHERS:

  • David Headlam (Eastman School of Music)
  • Don Neufeld (Azusa Pacific University)
  • Rudolph R. A. Schramm (Carnegie Hall; NYU)
  • Takayoshi ‘Tad’ Suzuki (TAD Wind Symphony, Japan)

 

 

“I hope each of my works bring you as much joy in performance as they did me throughout the process of their writing.  Thank you to the many composers and arrangers that have afforded me the rights to their music, and for encouraging their continued publication through another voice.  A very special thanks to Dan Goeller, David Headlam, Blake R. Henson, Kevin Medley, Don Neufeld,  Sir John Rutter, Rudolph R.A. Schramm, and Z. Randall Stroope for the rare opportunity to have your belief in my talent, and in me as a person.  I will forever be grateful for such kindness.”   

 

PUBLISHERS:

Boosey & Hawkes Company; Dan Goeller Music Publishing, Inc.; Hal Leonard Publishing; Imagine Music Publishers; Sony/ATV Music Publishing; TRN Music Publishers; Vamos Publishing, Inc., Veritas Music Publishing; and, Word Music, Inc. 

 

WORKS

This section is dedicated to choral, wind band, orchestra, and solo works available for purchase through the publisher, or directly from the arranger and/or composer.
Darker titles are linked to a live or digital recording of the work.  Abbreviated copies of any score are available by request.


ENGLISH CAROL
DAN GOELLER MUSIC

GESU BAMBINO
DAN GOELLER MUSIC

HOLY, HOLY, HOLY
DAN GOELLER MUSIC

HOW CAN I KEEP FROM SINGING
DAN GOELLER MUSIC

IF YOU VISIT ME
PAVANE/IMAGINE MUSIC PUBL.


O GOD OUR HELP
DAN GOELLER MUSIC

ON JORDAN'S STORMY BANKS
DAN GOELLER MUSIC

ONCE IN ROYAL DAVID'S CITY
DAN GOELLER MUSIC

PAT-A-PAN
DAN GOELLER MUSIC

ROCKING CHAIR
DAN GOELLER MUSIC

SILENT NIGHT
DAN GOELLER MUSIC

SOLEMN OVERTURE
UNPUBLISHED

THE CHILD IS BORN
DAN GOELLER MUSIC

THIS IS MY FATHER'S WORLD
DAN GOELLER MUSIC

TO GOD BE THE GLORY
DAN GOELLER MUSIC

WEXFORD CAROL
DAN GOELLER MUSIC

WORKS FOR STRINGS

arrangements, transcriptions, and original works


cello concerto in e-minor
vamos publishing, inc.

O NATA LUX
PAVANE/hal leonard music

UBI CARITAS
PAVANE/hal leonard music

WORKS FOR CHOIR

arrangements, transcriptions, and original works


O VOS OMNES
UNPUBLISHED

SOLO/CHAMBER WORKS

arrangements, transcriptions, and original works


IMPROMPTU, NO. 3
UNPUBLISHED

MEDITATION
UNPUBLISHED

RECORDINGS

A few of the ensembles or artists that have posted a digital recording of published works.  Click the icon above each title to link to the recording.

TAD WIND SYMPHONY
tokyo, JAPAN

Takayoshi ‘Tad’ Suzuki, conductor
CD released by Band Power, Japan (2014).  
Digital audio engineered by the publisher.

azusa pacific university
wind ensemble

Dr. John Burdett, conductor
…the Sacred Project.
Digital audio engineered by Ebiut Cervantes.

concordia university, chicago
Wind symphony

Dr. Richard Fischer, conductor
CD released by Mark Records (2013).
Digital audio engineered by Bruce Leek.

azusa pacific university
wind ensemble

Dr. John Burdett, conductor
…the Sacred Project.
Digital audio engineered by Ebiut Cervantes.

concordia university, chicago
Wind symphony

Dr. Richard Fischer, conductor
CD released by Mark Records (2013).  
Digital audio engineered by Bruce Leek.

azusa pacific university
WIND eNsemble

Dr. John Burdett, conductor
‘…in memory of Sandy Hook Elementary…’
Digital audio engineered by Ebiut Cervantes.

MESSIAH COLLEGE
WIND ENSEMBLE

Bradley Genevro, conductor  
CD released by Klavier (2013).  
Digital audio provided by Naxos America.

azusa pacific UNIVERSITY
WIND ensemble

Dr. John Burdett, conductor
…the Sacred Project.
Digital audio engineered by Ebiut Cervantes.

RESEARCH

In learning the technique required to develop a performance-worthy transcription, I was encouraged to research the lost or forgotten works of memorable composer recognized by Western musical history.  The articles below are the result of this research, and the scores that followed represent a noteworthy expression of performance.  It is my hope that you will find these efforts worthy of your time and consideration.  Publication of these works are governed by the U.S. Copyright, Title 17, and thereby under the exclusive ownership and property rights provided the author by federal law.  If you wish to utilize any of this research for your coursework, I encourage you to contact me directly for licensing, which will outline the guidelines and restrictions of use.

…written in 1930, and based upon material written by Copland during studies with Nadia Boulanger, the work features excerpts from the original ballet (Grogh; 1922 – 25), threaded together in a symphonic, yet poetic, submission to a RCA Victor-sponsored contest of new orchestral music. And, though the judges failed to reach a conclusive winner, DANSE SYMPHONIE provided Copland both prize money and recognition as the first major American accolade of his career.  Some 800 pages from the holdings of the Library of Congress – obtained with exclusive approval of the Copland Estate, The Copland House, and Boosey & Hawkes – have been carefully considered in the development of this transcription for wind band.  Detailed notes that include handwritten corrections from Copland himself are included in the edition…

Academic achievement is a complex singularity, fashioned by a wide array of factors that are both inherent to students and their external environment, and go beyond content knowledge and academic skills.  By necessity, all individuals within an academic community must teach and develop a set of behaviors, skills, attitudes, and strategies that are designed to deliberately evolve to ensure a student thrives in his or her own efforts toward achievement.  Yet, the quotients and variables that interlock to support achievement – and, for that matter, intelligence in its raw form – cannot be measured within cognitive or achievement assessment settings.  Researchers generally agree that as much as 49.7% of the factors quantified intelligence originate, and must be sustained, in social and environmental settings for individual-level abilities to render unique and sustained forms of achievement.  By providing a supplemental survey at the close of each cognitive and achievement assessment phase of their study, Cruise & Thayer (2006-10) purposefully measured, documented, and categorized the noncognitive determinants (e.g., factors or variables) of achievement in the Adventist setting, providing educators the opportunity to address these needs as a component of their higher imperative.  

The same cannot be said for public and other private schools in the United States.  Data collected by the Cruise & Thayer (2006-10) study did not engage all student populations in the United States, so it would be – at the very least – disreputable to postulate similar noncognitive determinants of achievement possible and credible if the same determinants were applied to students consistently.  Further, as noted by the lack of use in critical literature reviews and policy briefs written after the Cruise & Thayer (2006-10) study, concern within the academic research community points to the restraints established in the methodology, which failed to posit outcomes of achievement from quantified variables inherent to all student populations participating in the study.  Such apprehension has led to a general belief that the study was merely designed to promote the Adventist education model and ensure sustained financial gain.  With little apprehension, the study failed to promote the achievement needs of all students in the United States – something the higher imperative cherishes in its Golden Rule. 

As such, a meta-analysis of all empirical studies and peer-reviewed literature (a) written over the past twenty years; and, (b) representative of at least a sample of the 3-million students in the United States that engage in standardized assessment from public and other private school settings is necessary to determine a comprehensive list of the noncognitive determinants of achievement. 

(document awaiting publication)

Dissertation Committee:                                                                                                                              Dr. Shirley Gregg (chair), Dr. Josue Anguiano-Vega, Dr. Robert Cruise

In 1978, Acton Eric Ostling Jr. (b. 1936) presented a thesis to The University of Iowa, which offered an evaluative method to identify academic wind band literature worthy of study and programming.  The design utilized twenty conductors, experts in wind band literature, and ten specific criteria found in all musical works of serious artistic merit. Three outcomes were sought: (a) to assist wind band conductors by predetermining “what compositions within [the] large body of literature are most-worthy of study and performance” (Ostling, 1978, p. 12); (b) to encourage wind band conductors to select compositions of higher quality for study and performance; and, (c) to identify and classify a basic core wind band repertoire list (Ostling, 1978).  Since the seminal study, updated, revised or extended studies have replicated the Ostling design.  In addition, various national, state, and local organizations have used the Ostling (1978) design as tool for determining the programming and curriculum repertoire of academic settings. 

This case study found the Ostling (1978) design flawed at its attempt to summon integrity and validity to its study.  By abbreviating the Delphi method, the population was devoid of the academic, social, and professional stratifications necessary for repertoire education.  This led to a sample restricted of the expert value judgments necessary to achieve consensus, a preemptive goal of the study.  The use of copyrighted, yet unpublished musical literature infringed upon Fair Use by failing to obtain informed consent prior to use.  Published catalogues of repertoire were deemed to have serious artistic merit under the incorrect assumption that the methodology, procedures, and findings of the seminal study were sound.  These catalogues, as distributed, further infringed upon Fair Use practices, presenting harm to copyright holders.  Updated, revised, and extended studies using the Ostling (1978) design are governed under revised and detailed standards for Fair Use and human subject research not available at the time of the seminal study.  As such, the Ostling (1978) design should cease to be used as a human subject research methodology, and should be removed from any influence in programming, curriculum, or as the basis for future research.

(click here for the document)

Dissertation Committee:                                                                                                                              Dr. Keith Drieberg (chair), Dr. John Burdett, Dr. Robert Cruise, Dr. Anita Oliver 

     …the influence of The Exposition Universelle of 1889 – held in Paris, France, from 6 May to 31 October 1889 –  marked the 100th anniversary of the storming of the Bastille, an event considered symbolic of the beginning of the French Revolution.  The event had an enormous affect upon Russian composers seeking to reconcile the nationalistic tendencies of the ‘mighty handful’ with the European academic approach.  Evening musical settings inspired Alexandre Glazunov (1865-1936) – a Russian composer who sought the means to link formal approaches of Russian Romanticism with twentieth-century musical developments – to create a musical expression of American nationalism unheard of in its day.  The finished work, TRIUMPHAL MARCH, Op. 40, held its world premiere on the opening night of the Chicago Exposition of 1893.  Performed by the Chicago Symphony Orchestra, alongside a 400 member choir, the work received international acclaim for its use of THE BATTLE HYMN OF THE REPUBLIC as thematic material, culminating is a grand nationalistic gesture toward the American public…

FEEDBACK

Use the CONTACT link to add your feedback about the music your ensemble has performed to this page.

"AMOR DE MI ALMA is an absolutely beautiful piece. It is rich in harmony, and has long melodic lines that draw you into the tranquility and tenderness of this piece. I love the low horn sections, and as the music intensifies and reaches its climax, it evolves feelings of happiness and satisfaction. This is a piece not only musicians will love to play, but also any listener would long to hear..."


Kari behrendt
accompanist
el camino high school
music Director
bethel baptist church


"Thank you for your gift of music. I have conducted wind bands for several decades, and I have not heard [or] performed such beautiful, passionate, emotional, and moving music. Your music is very powerful, and touches the core of my soul."



Donavon d. gray
Associate dean 
Azusa Pacific University
school of music

"Your band arrangement of HIGHER GROUND that you just published is very, very, very beautiful. The sonorities are gorgeous, and the arrangement is very moving and intriguing. I hope this work sells really well, and both you and Imagine Music Publishing enjoy much success with it. Like you, I want young people to have the very best music to play for their musical learning and inspiration, and this is right up there in the top bracket. Outstanding!"

MARCIA STOCKTON
COMPOSER / editor
Imagine Music Publishing

CONTACT

If you are interested in having a work written or arranged for your organization, or would like to your ensemble to be considered for the premiere or recording of any new work, contact me via the form below.

  • P. O. Box 10231, Napa, CA 94581
  • (707) 492-5740
  • frederick.umar@ymail.com

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